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TZID:Europe/Stockholm
X-LIC-LOCATION:Europe/Stockholm
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DTSTART:19700308T020000
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DTSTAMP:20250822T115805Z
LOCATION:Room 5.0B15 & 16
DTSTART;TZID=Europe/Stockholm:20250618T090000
DTEND;TZID=Europe/Stockholm:20250618T110000
UID:submissions.pasc-conference.org_PASC25_sess112@linklings.com
SUMMARY:MS5B - Art and Science
DESCRIPTION:The Symposium on Art and Science brings together professionals
  from two seemingly distinct worlds—art and science—to explore the powerfu
 l synergies that emerge when their approaches intersect. This interdiscipl
 inary event will delve into the ways in which artistic practices and scien
 tific research inform and inspire one another, sparking new ideas, methods
 , and possibilities for addressing global challenges. Throughout the sympo
 sium, leading artists, scientists, researchers, and creative thinkers will
  present their work, share insights, and engage in thought-provoking discu
 ssions. Topics will range from the role of aesthetics in scientific visual
 ization to the use of technology in contemporary art, and how both discipl
 ines approach complex questions about humanity, nature, and the universe. 
 Attendees will have the opportunity to explore cutting-edge collaborations
  in fields such as digital art, life sciences, engineering and artificial 
 intelligence, witnessing firsthand how artists and scientists push the bou
 ndaries of their respective fields through shared knowledge and innovative
  approaches.\n\nMulti-Tool Workflows for Scientific Art – Visualising Poll
 utant Dispersion in a Domestic Kitchen\n\nEffectively communicating the re
 sults and impact of any piece of scientific research presents a significan
 t challenge. Multiple audiences are usually targeted, including experts, t
 he wider scientific community, and the general public. Visual and audio-vi
 sual artistic outputs are a powerful way to co...\n\n\nMathew Chambers, Ha
 rriet Jones, and Charles Moulinec (Science and Technology Facilities Counc
 il)\n---------------------\nThree Dimensional Representation of Rock Mass 
 Fracturing via Computer Codes Generating Solid Models\n\nIn civil and mini
 ng works, the study of rock masses as well as understanding their structur
 al arrangement is fundamental; each rock mass is unique, and its analysis 
 also depends on the type of structure that is planned to be built. This wo
 rk focuses on the analysis of the structural arrangement of t...\n\n\nFerm
 in A. Sanchez and Alvaro D. Suarez (National University of Mexico)\n------
 ---------------\nInteractive Phygital Art and Combinatorial Math\n\nSève F
 avre is an interdisciplinary artist who explores the interactions between 
 the real and virtual worlds through interactive artworks. For several year
 s, she has been developing multimedia installations in which, in some case
 s, she integrates an interactive digital double (Phygital Art). This art..
 .\n\n\nSève Favre (Visual Artist and Art Historian)\n---------------------
 \nCinematic Data Visualisation\n\nThe visualization of 3D phenomena, such 
 as volumes, surfaces, or particles, offers a unique opportunity to transfo
 rm scientific data into engaging artworks. Photo-realistic renderings of s
 cientific results not only captivate but also help communicate complex ide
 as in a visually compelling way. Howev...\n\n\nGuillermo marin (Barcelona 
 Supercomputing Center, Universitat Autònoma de Barcelona)\n\nDomain: Clima
 te, Weather, and Earth Sciences, Engineering, Life Sciences, Physics, Comp
 utational Methods and Applied Mathematics\n\nSession Chairs: Guillaume Hou
 zeaux (Barcelona Supercomputing Center) and Charles Moulinec (Science and 
 Technology Facilities Council)
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